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	<title>Ellen Lupton &#187; Critic</title>
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		<title>Heirlooms</title>
		<link>http://elupton.com/2010/07/heirlooms/</link>
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		<pubDate>Thu, 15 Jul 2010 11:44:58 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[These illustrations were created for an opinion piece by Ellen Lupton for the NYTimes Opinionator. Read the editorial at nytimes.com.]]></description>
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		<title>Eccentric to Whom?</title>
		<link>http://elupton.com/2009/10/eccentric-to-whom/</link>
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		<pubDate>Wed, 07 Oct 2009 18:28:45 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[“Eccentric to Whom?” Essay by J. Abbbott Miller, published in special issue of AIGA Journal of Graphic Design on eccentricity, edited by Steven Heller, 1992 Eccentricity is a relative term, depending for its life on convention, normality, and tradition. During the teens and twenties the European avant-gardes sought to dissolve the boundaries between art and [...]]]></description>
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		<title>Design and Production in the Mechanical Age</title>
		<link>http://elupton.com/2009/10/design-and-production-in-the-mechanical-age/</link>
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		<pubDate>Wed, 07 Oct 2009 18:23:11 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[“Design and Production in the Mechanical Age” (excerpt), essay by Ellen Lupton, published in Deborah Rothschild, Ellen Lupton, and Darra Goldstein, Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Collection. New Haven and London: Yale University Press, 1998. pp 50-81. Modern designers, working in the ambitious decades between the two world [...]]]></description>
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		<title>Gummy World</title>
		<link>http://elupton.com/2009/10/gummy-world/</link>
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		<pubDate>Wed, 07 Oct 2009 18:20:45 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[“Gummy World: Thoughts on the Graphical User Interface,” essay by Ellen Lupton, originally published on AIGA Voice, July 16, 2004. The world can be divided into two basic categories: people who like chocolate, and people who like gummies. Chocolate is serious, sexy, and secretive. Gummies are fruity, cheerful, and transparent. Whereas chocolates are often shaped [...]]]></description>
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		<title>Going Public</title>
		<link>http://elupton.com/2009/10/going-public/</link>
		<comments>http://elupton.com/2009/10/going-public/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:19:14 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<guid isPermaLink="false">http://elupton.com.s73045.gridserver.com/?p=307</guid>
		<description><![CDATA[Essay by Ellen Lupton, published in Print magazine (January/February 2005). As an identical twin, I am often asked whether my sister and I have a “secret language,” or whether we communicate via telepathy. “No,” I usually reply. ”We communicate via telephone.“ Until now. Recently, my sister and I have begun to share a truly secret [...]]]></description>
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		<title>Fluid Mechanics: Typography Now</title>
		<link>http://elupton.com/2009/10/fluid-mechanics-typography-now/</link>
		<comments>http://elupton.com/2009/10/fluid-mechanics-typography-now/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:18:21 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[“Fluid Mechanics: Typographic Design Now,” essay by Ellen Lupton, published in Donald Albrecht, Steven Holt, and Ellen Lupton, Design Culture Now: National Design Triennial. New York: Princeton Architectural Press and Cooper-Hewitt, National Design Museum, 2000. Liquidity, saturation, and overflow are words that describe the information surplus that besets us at the start of the twenty-first [...]]]></description>
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		<title>Rough Ideas: New Design from Israel</title>
		<link>http://elupton.com/2009/10/rough-ideas-new-design-from-israel/</link>
		<comments>http://elupton.com/2009/10/rough-ideas-new-design-from-israel/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:17:19 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[“Rough Ideas: New Design from Israel,” (excerpt), essay by Ellen Lupton, published in New Design from Israel. New York: Cooper-Hewitt, National Design Museum, 2006. Published in conjunction with the exhibition Solos: New Design from Israel, 2006. The objects presented in Solos: New Design from Israel are the result of philosophical inquiries made by their designers [...]]]></description>
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		<title>Deconstruction and Graphic Design</title>
		<link>http://elupton.com/2009/10/deconstruction-and-graphic-design/</link>
		<comments>http://elupton.com/2009/10/deconstruction-and-graphic-design/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:16:09 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<guid isPermaLink="false">http://elupton.com.s73045.gridserver.com/?p=300</guid>
		<description><![CDATA[Ellen Lupton and J. Abbott Miller. Published in special issue of Visible Language on graphic design history, edited by Andrew Blauvelt (1994). This is an earlier version of the essay “Deconstruction and Graphic Design,” published in our book Design Writing Research. Since the surfacing of the term “deconstruction” in design journalism in the mid-1980s, the [...]]]></description>
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		<title>Critical Wayfinding</title>
		<link>http://elupton.com/2009/10/critical-wayfinding/</link>
		<comments>http://elupton.com/2009/10/critical-wayfinding/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:14:44 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<guid isPermaLink="false">http://elupton.com.s73045.gridserver.com/?p=298</guid>
		<description><![CDATA[“Critical Wayfinding,” essay by Ellen Lupton and J. Abbott Miller, published in The Edge of the Millennium,. ed. Susan Yelavich. New York: Whitney Library of Design, 1993. 220-232. The pyramids of Egypt are mythic monuments to the origin of Western culture, from architecture to the alphabet. These oversized tombstones have always fascinated the West; they [...]]]></description>
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		<title>How Books are Sold</title>
		<link>http://elupton.com/2009/10/how-books-are-sold/</link>
		<comments>http://elupton.com/2009/10/how-books-are-sold/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 18:12:34 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[&#8220;How Books are Sold.&#8221; Essay by Ellen Lupton, posted on AIGA Voice, April 4, 2006. Publishing has always been my greatest pleasure. Whether it is producing a free pamphlet or a full-on book, publishing is for me what keeps graphic design so endlessly engaging. Design is, above all, a tool for getting words into print, [...]]]></description>
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