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	<title>Ellen Lupton &#187; Essays</title>
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		<title>The Myth of the Working Mom</title>
		<link>http://elupton.com/2011/12/the-myth-of-the-working-mom/</link>
		<comments>http://elupton.com/2011/12/the-myth-of-the-working-mom/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 12:09:47 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[Essay published on AIGA Voice, September 12, 2006. “How do you do it all?” I often get this question, and my answer is this: no one does it all. Doing it all means, of course, having a career and having kids, and it’s one of the great myths of our era. The myth is that [...]]]></description>
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		<title>Typography in the 1990s</title>
		<link>http://elupton.com/2011/12/typography-in-the-1990s/</link>
		<comments>http://elupton.com/2011/12/typography-in-the-1990s/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 11:53:46 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<guid isPermaLink="false">http://elupton.com/?p=1018</guid>
		<description><![CDATA[Essay published on Printmag.com, October 25, 2009. How quickly “now” becomes “then.” A few weeks ago, I was looking for examples of experimental typography to show to my MFA students at MICA (Maryland Institute College of Art). I pulled a book off the shelf called Typography Now Two: Implosion, edited by Rick Poynor in 1996. [...]]]></description>
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		<title>Design and Social Life</title>
		<link>http://elupton.com/2011/12/design-and-social-life/</link>
		<comments>http://elupton.com/2011/12/design-and-social-life/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 11:48:11 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
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		<guid isPermaLink="false">http://elupton.com/?p=1014</guid>
		<description><![CDATA[Essay published in Design Life Now: National Design Triennial (Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2006). Sitting on my desk is a monograph about the Dutch designer Hella Jongerius. The book is designed by COMA, a design partnership based in New York City and Amsterdam. In place of the digital renderings and photos of finished [...]]]></description>
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		<title>Learning to Love Software</title>
		<link>http://elupton.com/2011/12/learning-to-love-software/</link>
		<comments>http://elupton.com/2011/12/learning-to-love-software/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 11:39:32 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">http://elupton.com/?p=1006</guid>
		<description><![CDATA[Essay published in Artifact 1(3): 149-158 (2007). During the 1990s, cultural recycling and visual “scratch mixing” became graphic design’s standard operating procedures, inside and outside the classroom. The digital transformation of design processes encouraged this transformation by enabling the endless recirculation of existing material. It also forced educators to focus energy on teaching software, which [...]]]></description>
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		<title>Univers Strikes Back</title>
		<link>http://elupton.com/2011/12/univers-strikes-back/</link>
		<comments>http://elupton.com/2011/12/univers-strikes-back/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 11:35:50 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
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		<guid isPermaLink="false">http://elupton.com/?p=1003</guid>
		<description><![CDATA[Essay published in Helen Armstrong, Graphic Design Theory: Readings from the Field (Princeton Architectural Press, 2009). Co-authored with Julia Lupton. In Print magazine in 2002, Katherine McCoy challenged designers to support local cultures by practicing audience-centered design. McCoy was voicing the post-modern disillusion with universal design. “As a Modernist Swiss-school graphic designer in the late [...]]]></description>
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		<title>The Designer as Producer</title>
		<link>http://elupton.com/2010/10/the-designer-as-producer/</link>
		<comments>http://elupton.com/2010/10/the-designer-as-producer/#comments</comments>
		<pubDate>Tue, 05 Oct 2010 23:01:14 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
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		<guid isPermaLink="false">http://elupton.com/?p=982</guid>
		<description><![CDATA[“The Designer as Producer,” essay by Ellen Lupton, published in The Education of a Graphic Designer, ed. Steven Heller (New York: Allworth Press, 1998), 159-62. The slogan “designer as author” has enlivened debates about the future of graphic design since the early 1990s. The word author suggests agency, intention, and creation, as opposed to the [...]]]></description>
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		<title>Broken Home</title>
		<link>http://elupton.com/2010/08/broken-homes/</link>
		<comments>http://elupton.com/2010/08/broken-homes/#comments</comments>
		<pubDate>Wed, 18 Aug 2010 10:37:13 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Paintings]]></category>
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		<guid isPermaLink="false">http://elupton.com/?p=963</guid>
		<description><![CDATA[&#8220;In Praise of the Broken Home&#8221; is an opinion piece by Ellen Lupton for the NYTimes Opinionator. Read the editorial at nytimes.com.]]></description>
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		<title>Heirlooms</title>
		<link>http://elupton.com/2010/07/heirlooms/</link>
		<comments>http://elupton.com/2010/07/heirlooms/#comments</comments>
		<pubDate>Thu, 15 Jul 2010 11:44:58 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
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		<description><![CDATA[These illustrations were created for an opinion piece by Ellen Lupton for the NYTimes Opinionator. Read the editorial at nytimes.com.]]></description>
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		<title>Free Font Manifesto</title>
		<link>http://elupton.com/2010/01/free-font-manifesto/</link>
		<comments>http://elupton.com/2010/01/free-font-manifesto/#comments</comments>
		<pubDate>Sun, 10 Jan 2010 12:20:24 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://elupton.com/?p=810</guid>
		<description><![CDATA[A small but growing number of designers and institutions are creating typefaces for the public domain. Gathered here are notes from a controversial 2006 lecture about &#8220;free fonts.&#8221; A small but growing number of designers and institutions are creating typefaces for the public domain. These designers are participating in the broader open source and copyleft [...]]]></description>
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		<title>How to Write a Book Proposal</title>
		<link>http://elupton.com/2009/10/how-to-write-a-book-proposal/</link>
		<comments>http://elupton.com/2009/10/how-to-write-a-book-proposal/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 13:21:34 +0000</pubDate>
		<dc:creator>Ellen Lupton</dc:creator>
				<category><![CDATA[Essays]]></category>
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		<guid isPermaLink="false">http://elupton.com/?p=693</guid>
		<description><![CDATA[Readers are sometimes curious about how to prepare a book proposal. In my experience, an effective book proposal includes some or all of the following elements. Essential :: Statement of intent, in the form of a &#8220;pitch letter&#8221; or narrative document, which states the title, concept, scope, audience, and point of view of the book, [...]]]></description>
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