Ellen Lupton is curator of contemporary design at Cooper-Hewitt, National Design Museum in New York City and director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore. An author of numerous books and articles on design, she is a public-minded critic, frequent lecturer, and AIGA Gold Medalist. Read More
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6:00am East Village
Noun Found Smothered by Adjectives
Message lost in dense cloud of confused signals.
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11:30am Upper East Side
Verb Defrauded by Misplaced Modifier
Missing the point, revenge is sought by victim.
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7:00pm Williamsburg
Flood of Clichés Wreaks Havoc
Hipster kicks bucket after biting bullet.
A small but growing number of designers and institutions are creating typefaces for the public domain. Gathered here are notes from a controversial 2006 lecture about “free fonts.”
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Readers are sometimes curious about how to prepare a book proposal. In my experience, an effective book proposal includes some or all of the following elements.
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When people started swimming 50,000 years ago, no one bothered with swim suits. Why get the fur wet on your new caveman outfit? When cultural norms demanded that bodies stay covered, skinny dipping went underground and bathing attire was born. Changes in the history of swimsuit design reflect shifting cultural values as well as new beliefs about athletic performance. We’ve seen the body go from naked to covered to nearly nude—and back again. Recent athletic competitions have raised ethical questions about extreme swimwear: is it fair, or is it doping?
GD200.04
Instructor: Ellen Lupton, elupton (at) designwritingresearch.org
Teaching Assistant: Molly Hawthorne
Maryland Institute College of Art
“Eccentric to Whom?” Essay by J. Abbbott Miller, published in special issue of AIGA Journal of Graphic Design on eccentricity, edited by Steven Heller, 1992
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“Design and Production in the Mechanical Age” (excerpt), essay by Ellen Lupton, published in Deborah Rothschild, Ellen Lupton, and Darra Goldstein, Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Collection. New Haven and London: Yale University Press, 1998. pp 50-81.
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“Gummy World: Thoughts on the Graphical User Interface,” essay by Ellen Lupton, originally published on AIGA Voice, July 16, 2004.
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Essay by Ellen Lupton, published in Print magazine (January/February 2005).
“Fluid Mechanics: Typographic Design Now,” essay by Ellen Lupton, published in Donald Albrecht, Steven Holt, and Ellen Lupton, Design Culture Now: National Design Triennial. New York: Princeton Architectural Press and Cooper-Hewitt, National Design Museum, 2000.
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“Rough Ideas: New Design from Israel,” (excerpt), essay by Ellen Lupton, published in New Design from Israel. New York: Cooper-Hewitt, National Design Museum, 2006. Published in conjunction with the exhibition Solos: New Design from Israel, 2006.
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Ellen Lupton and J. Abbott Miller. Published in special issue of Visible Language on graphic design history, edited by Andrew Blauvelt (1994). This is an earlier version of the essay “Deconstruction and Graphic Design,” published in our book Design Writing Research.
“Critical Wayfinding,” essay by Ellen Lupton and J. Abbott Miller, published in The Edge of the Millennium,. ed. Susan Yelavich. New York: Whitney Library of Design, 1993. 220-232.
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“How Books are Sold.” Essay by Ellen Lupton, posted on AIGA Voice, April 4, 2006.
“Writing 101: Visual or Verbal.” Posted to AIGA Voice, January 2009.
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Book review for I.D. Magazine, 2009. Hannah B. Higgins, The Grid Book (MIT Press, 2009) and Read more
Carsten Nicolai, Grid Index (Gestalten, 2009).
Book review for I.D. (International Design) Magazine, 2009. Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. A novel by Leane Shapton. New York: Sarah Crichton Books, 2009.
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Essay, 2005.
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Essay, 2009. First published in Ambidextrous, Stanford D-School Magazine.
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“Writing Lessons: Modern Design Theory,” unpublished essay by Ellen Lupton, written for graduate seminar taught by Rosemary Bletter, City University of New York Graduate Center, 1988.
“The Reskilling of the American Art Student.” Essay by Ellen Lupton, filed in Voice: AIGA Journal of Design, March 29, 2005.
Unpublished essay, written for a graduate seminar at University of Baltimore with Stuart Moulthrop, 2003. A mother thinks about theories of literacy and representation in the digital age while observing her tween-age son work and play with media.
Essay by Ellen Lupton, “Cold Eye: Big Science,” Print magazine, Summer 2003.
“Skin: New Design Organics,” essay by Ellen Lupton, published in Ellen Lupton, Skin: Surface, Substance and Design. New York: Princeton Architectural Press, 2002. Book published in conjunction with an exhibition of the same title, Cooper-Hewitt, National Design Museum, 2002.
Essay, 2009.
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“The Bathroom, the Kitchen, and the Aesthetics of Waste,” introduction by Ellen Lupton and J. Abbott Miller to the book The Kitchen, the Bathroom, and the Aesthetics of Waste: A Process of Elimination (New York: Princeton Architectural Press, 1992).
“The Producers,” essay by Ellen Lupton, published in Ellen Lupton, Susan Yelavich, Donald Albrecht, and Mitch Owen, Inside Design Now: National Design Triennial, 2003. New York: Princeton Architectural Press, 2003. T-shirt by Geoff McFetridge.
“Underground Matriarchy in Graphic Design,” essay by Laurie Haycock Makela and Ellen Lupton, published in Eye magazine, 1994.
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Excerpt from essay by Ellen Lupton from Pat Kirkham, ed. Women Designers in the USA, 1900-2000. London: Yale University Press, 2000.
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